| | | | |  | |  | |  | |  | |  | |  | | VIRGINIA SCOTT | | NICOLAS MARTY | | RODIONOFF ANOLGA (DIR.) | | GASCH STEFAN / TRÖSTER SONJA (DIR.) | | JESSICA RODA | | GRABOCZ MARTA (DIR.) | | Women on the Stage in Early Modern France 1540-1750 | | Quand l'écoute fait l'oeuvre | | Les temps multiples des arts contemporains | | Ludwig Senfl (c.1490 - 1543) : a catalogue raisonné vol.2 | | Se réinventer au présent | | Modèles naturels et scénarios imaginaires | | | | | | | | | | | | | CAMBRIDGE UNIVERSITY PRESS | | DELATOUR | | HERMANN | | BREPOLS | | PRESSES UNIVERSITAIRES DE RENNES | | HERMANN | | | 37.40 € | | | | 60.00 € | | 24.00 € | | 32.00 € |
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 | |  | |  | |  | |  | |  | | GIANMARIO DIR. BORIO | | CAROLINE BEC | | JOHANNIS GARLANDIA | | BUSSE BERGER ANNA MARIA | | ROBERT PHILIP | | ISABELLE HIS | | Musical Listening in the Age of Technological Reproduction | | Les comédiennes-chanteuses à Madrid au XVIIIe siècle : 1700-1767 | | Musica plana | | The Cambridge companion to 15th century music | | Early Recordings and Musical Style: Changing Tastes in Instrumental Performance | | Claude Le Jeune, 10 Pseaumes en forme de motets (1564) | | | Bibliothèque d'histoire moderne et contemporaine, n° 54 | | | | | | | | | | ASHGATE PUBLISHING | | CHAMPION | | VALENTIN KOERNER | | CAMBRIDGE UNIVERSITY PRESS | | CAMBRIDGE UNIVERSITY PRESS | | BREPOLS | | | | | | | | | 53.80 € | | |
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 | |  | |  | |  | |  | |  | | LAWRENCE KRAMER | | ANDREW DELL'ANTONIO | | MARCELLE BENOIT | | TIM CARTER | | LA DIRECTION DE GEORGES BLOESS SOUS | | ANNE PIÉJUS | | Music as cultural practice 1800-1900 | | Listening as spiritual practice in Early Modern Italy | | Les événements musicaux sous le règne de Louis XIV : chronologie | | The Cambridge History of Seventeenth-Century Music | | Destruction, création, rythme : l'expressionnisme, une esthétique du conflit | | Musique et dévotion à Rome à la fin de la Renaissance | | | | | | | | | | | | | UNIVERSITY OF CALIFORNIA PRESS | | UNIVERSITY OF CALIFORNIA PRESS | | PICARD | | CAMBRIDGE UNIVERSITY PRESS | | L'HARMATTAN | | BREPOLS | | | | | | | | | 42.00 € | | |
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 | |  | |  | |  | |  | |  | | RICHARD SEMMENS | | KOTTICK EDWARD L. | | JOHN SPITZER | | GUY DELHASSE | | MILLINGTON BARRY DIR. | | FRANÇOISE ESCAL | | The Bals Publics at the Paris Opera in the Eighteenth Century | | The Harpsichord Owner's Guide: A Manual for Buyers and Owners | | American Orchestras in the Nineteenth Century | | Petits lieux à chansons de Belgique : 1950-2012 | | Wagner, guide raisonné | | La musique et le romantisme | | Dance & Music, n° 13 | | | | | | Cabaret | | Musique | | Univers musical | | PENDRAGON PRESS | | UNIVERSITY OF NORTH CAROLINA PRESS | | UNIVERSITY OF CHICAGO PRESS | | L'HARMATTAN | | FAYARD | | L'HARMATTAN | | 63.70 € | | | | | | | | | | |
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 | |  | |  | |  | |  | |  | | JOHN HAINES | | KAREN PAINTER | | FRANÇOIS MADURELL | | MARK J. BUTLER | | JOHN HAINES | | THOMAS RAVIER | | Eight Centuries of Troubadours and Trouveres | | Symphonic aspirations : German music and politics, 1900-1945 | | L'ensemble Ars nova | | Playing with Something That Runs | | Chants du diable, chants du peuple : voyage en musique dans le Moyen Age | | Sans le baroque, la musique serait une erreur | | | | | Univers musical | | | | | | Variations XXXII | | CAMBRIDGE UNIVERSITY PRESS | | HARVARD UNIVERSITY PRESS | | L'HARMATTAN | | OXFORD UNIVERSITY PRESS | | BREPOLS | | LÉO SCHEER | | | | | 52.00 € | | | | | | 16.00 € |
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