| | | | |  | |  | |  | |  | |  | |  | ADOLPHE JULLIEN | | COLLECTIF | | LE COLLETER THOMAS | | GRANT ROGER MATHEW | | LEON PLANTINGA | | RIOTTE ANDRÉ / MESNAGE MARCEL | La cour et l'opéra sous Louis XVI | | Les musiciens dans la révolution numérique : inquiétude et enthousiasme | | La matière ensorcelée : poétiques et représentations de la musique au XXè siècle | | Beating time and measuring music in the early modern era | | Romantic music : a history of musical style in nineteenth-century Europe | | Formalismes et modèles musicaux Volume 2 | | | | | Perspectives comparatistes, n° 83 | | | | | | Musique-sciences | MINKOFF | | IRMA | | CLASSIQUES GARNIER | | OXFORD UNIVERSITY PRESS | | NORTON | | DELATOUR | 45.00 € | | 10.00 € | | 58.00 € | | 40.80 € | | 107.00 € | | 23.00 € |
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 | |  | |  | |  | |  | |  | ROBERT FINK | | PAPENBURG JEAN GERRIT / SCHULZE HOLGER | | STEVENS BLAKE | | DIETRICH BARTEL | | JENNIFER SALTZSTEIN | | PISTONE DANIÈLE DIR. | Repeating ourselves : American minimal music as cultural practice | | Sound as popular culture | | Teaching electronic music | | Handbuch der musikalischen Figurenlehre | | The refrain and the rise of the vernacular in medieval french music and poetry | | Notes sur la vie musicale des années 1990 | | | | | | | | | | | | UNIVERSITY OF CALIFORNIA PRESS | | MIT PRESS | | ROUTLEDGE | | LAABER | | BOYDELL PRESS | | OBSERVATOIRE MUSICAL FRANÇAIS | 54.00 € | | 40.50 € | | 28.16 € | | 71.20 € | | 90.00 € | | 8.50 € |
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 | |  | |  | |  | |  | |  | RAISIN DADRE DENIS | | COLLECTIF | | MARTI-JUFRESA FELIP | | EVA GUILLOREL | | GULDBRANDSEN ERLING ED. | | CHRISTOPHE DELHOUME | François 1er : musiques d'un règne | | Les noces de philologie et musicologie : textes et musiques du Moyen-Âge | | La possibilité d'une musique moderne | | La complainte et la plainte | | Transformations of Musical Modernism | | Constance Nantier-Didiée, une femme moderne sous le second Empire | | | Rencontres - Civlisation médiévale, n° 281, n° 22 | | Nous, les sans-philosophie | | | | | | | OUTHERE MUSIC | | CLASSIQUES GARNIER | | L'HARMATTAN | | PRESSES UNIVERSITAIRES DE RENNES | | CAMBRIDGE UNIVERSITY PRESS | | MJW ÉDITIONS | 34.50 € | | 69.00 € | | 32.00 € | | 41.91 € | | 97.50 € | | 31.50 € |
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 | |  | |  | |  | |  | |  | ILLIANO ROBERTO / SALA LUCA / SALA MASSIMILIANO | | FRANÇOIS SIROIS | | SIMON-CARRÈRE ANNE | | ANDREW TALLE | | THEODOR DUMITRESCU | | LADAN TAGHIAN EFTEKHARI | Muzio Clementi - studies and prospects | | Parcours de la musique classique : pour le plaisir de l'écoute | | Chanter la Grande Guerre : les poilus et les femmes, 1914-1919 | | Beyond Bach | | John Dygon's Proportiones practicabiles secundum Gaffurium | | Bomtempo (1775-1842) : Un compositeur au sein de la mouvance romantique | | | | | Epoques | | | | | | Univers musical | UT ORPHEUS | | L'INSTANT MÊME | | CHAMP VALLON | | ILLINOIS UP | | ILLINOIS UP | | L'HARMATTAN | 94.90 € | | 31.40 € | | 25.00 € | | 49.50 € | | 30.00 € | | 36.50 € |
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 | |  | |  | |  | |  | |  | GIENOW-HECHT JESSICA C.E. | | YVES COLIN | | DIEDRICH DIEDERICHSEN | | JACQUES SZPIRGLAS | | DANIÈLE PISTONE | | GREG MILNER | Sound diplomacy | | French Renaissance Music and Beyond | | Argument son : de Britney Spears à Helmut Lachenmann | | Dictionnaire des musiciens de la cour de Louis XIII | | Les suppléments de Musica (1902-1914) | | Perfecting sound forever : une histoire de la musique enregistrée | | | | | | | Musicologie, n° 14 | | Bibliographies et catalogues, n° 10 | | Castor music | UNIVERSITY OF CHICAGO PRESS | | BREPOLS | | PRESSES DU RÉEL|JRP-RINGIER | | CLASSIQUES GARNIER | | O.M.F. | | CASTOR ASTRAL | 27.40 € | | 105.00 € | | 15.00 € | | 124.33 € | | 12.00 € | | 24.00 € |
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 | |  | |  | |  | |  | |  | RUDOLF RASCH | | ANA STEFANOVIC | | RICE JOHN A. | | WILLIAM EVERETT | | DAVID SCHULENBERG | | SHARON MABRY | Music and Power in the Baroque Era | | La musique comme métaphore | | Empress Marie Therese and music at the Viennese court : 1792-1807 | | The Cambridge Companion to the Musical | | Music of the Baroque : an anthology of scores | | Exploring Twentieth-Century Vocal Music | | | Univers musical | | | | | | | | | BREPOLS | | L'HARMATTAN | | CAMBRIDGE UNIVERSITY PRESS | | CAMBRIDGE UNIVERSITY PRESS | | OXFORD UNIVERSITY PRESS | | OXFORD UNIVERSITY PRESS | 120.00 € | | 44.00 € | | 50.40 € | | 32.40 € | | 35.00 € | | 27.00 € |
 | |  | |  | |  | |  | |  | JEAN-PHILIPPE MOUSNIER | | KONRAD KÜSTER | | POTTIER JEAN-MARIE | | OUSSENKO SYLVIE / PONCET FRANÇOIS | | REVUE | | ALLEN AARON S. / DAWE KEVIN | Pierre Monteux | | Musik im Namen Luthers | | Ground Zero | | Wagner | | Guerres mondiales et conflits contemporains, n° 227 (2007) | | Current Directions in Ecomusicology | | | | | | | Eyrolles pratique | | Artistes et intellectuels en guerre | | | L'HARMATTAN | | BARENREITER | | LE MOT ET LE RESTE | | EYROLLES | | PUF | | ROUTLEDGE | 32.00 € | | 36.90 € | | 20.00 € | | 10.00 € | | 22.00 € | | 55.89 € |
 | |  | |  | |  | |  | |  | DUCHÊNE-THÉGARID MARIE | | HANSON ALICE M. | | CHRISTINE MONDON | | AYREY CRAIG / EVERIST MARK | | DAVID ED. BURN | | COLLECTIF | Une certaine idée de la musique | | Musical life in Biedermeier Vienna | | L'héritage Verdi | | Analytical strategies and musical interpretation | | Music and Theology in the European Reformations | | Royaumont au XIXe siècle : les métamorphoses d'une abbaye | | | | | | | | | | | | SLATKINE | | CAMBRIDGE UNIVERSITY PRESS | | B. GIOVANANGELI | | CAMBRIDGE UNIVERSITY PRESS | | BREPOLS | | CREAPHIS | 38.00 € | | 36.40 € | | 16.50 € | | 29.60 € | | 105.00 € | | 25.35 € |
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