| | | | |  | |  | |  | |  | |  | |  | BRUNO FORMENT | | LAURENT MARTY | | GEISLER LOUIS DIR. | | RENÉ BEAUPAIN | | KATE BAILEY | | OLIVIER ROUVIERE | (Dis) embodying Myths in Ancien Régime Opera | | 1805, la création de Don Juan à l'Opéra de Paris | | L'opéra, miroir du monde : Festival d'Aix-en-Provence 2007-2018 | | Le Palais Garnier | | Opera: Passion, power, politics | | L'apparition : essai sur les effets et enjeux du théâtre et de l'art lyrique | | | Univers musical | | | | | | | | | LEUVEN | | L'HARMATTAN | | ACTES SUD | | BOOKS ON DEMAND | | V&A PUBLISHING | | L'HARMATTAN | 39.90 € | | 26.00 € | | 32.00 € | | 36.00 € | | 64.00 € | | 32.00 € |
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 | |  | |  | |  | |  | |  | BEMPORAD CHIARA / BUCCHI GABRIELE (DIR.) | | SUZANNE ASPDEN | | RODOLFO CELLETTI | | KAREN HENSON | | MARK BERRY | | WILLIAM GIBBONS | L'opéra en toutes lettres | | The Rival Sirens: Performance and Identity on Handel's Operatic Stage | | A History of Bel Canto | | Opera Acts: Singers and Performance in the late 19th century | | After Wagner: Histories of Modernist Music Drama from Parsifal to Nono | | Building the Operatic Museum: Eighteenth-Century Opera in Fin-de-Siecle Paris | Etudes de lettres | | | | | | | | | | Eastman Studies in Music | UNIVERSITÉ DE LAUSANNE | | CAMBRIDGE UNIVERSITY PRESS | | OXFORD UNIVERSITY PRESS | | CAMBRIDGE UNIVERSITY PRESS | | BOYDELL PRESS | | UNIVERSITY OF ROCHESTER PRESS | 19.00 € | | 100.80 € | | 47.20 € | | 93.80 € | | 85.00 € | | 83.00 € |
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 | |  | |  | |  | |  | |  | ELLEN ROSAND | | ELLEN NOONAN | | JUDITH ZEITLIN | | BETTINA DISSINGER | | GEORGE PERLE | | EMILIO SALA | Readying Cavalli's Operas for the Stage: Manuscript, Edition, Production | | The Strange Career of Porgy and Bess | | Performing Images: Opera in Chinese Visual Culture | | Die Opern von Aleksandr Dargomyzskij | | The operas of Alban Berg, vol 1: Wozzeck | | The Sounds of Paris in Verdi's La traviata | | | | | | | | | | | | ASHGATE PUBLISHING | | UNIVERSITY OF NORTH CAROLINA PRESS | | UNIVERSITY OF CHICAGO PRESS | | PETER LANG | | UNIVERSITY OF CALIFORNIA PRESS | | CAMBRIDGE UNIVERSITY PRESS | 115.00 € | | 34.00 € | | 33.90 € | | 38.50 € | | 31.40 € | | 86.80 € |
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 | |  | |  | |  | |  | |  | MALOU HAINE | | BERNARD DIR. BANOUN | | DONIZETTI | | JI EUN MIN | | LAETITIA DEVOS | | ADOLPHE JULLIEN | Ernest Van Dyck, un ténor à Bayreuth | | Le monde germanique et l'opéra : le livret en question | | Roberto Devereux | | La réception de la comédie musicale de langue française en Corée | | L'opéra en RDA : sous le signe de Büchner | | La cour et l'opéra sous Louis XVI | | | | | | | Logiques sociales - Études culturelles | | | | | SYMÉTRIE | | KLINCKSIECK | | ACTES SUD|OPÉRA DE MARSEILLE | | L'HARMATTAN | | PRESSES UNIVERSITAIRES DE RENNES | | MINKOFF | 35.70 € | | 33.80 € | | 7.80 € | | 23.50 € | | 19.00 € | | 45.00 € |
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 | |  | |  | |  | |  | |  | TILL NICHOLAS ED. | | DAVID CHARLTON | | CHRISTOPHE RIZOUD | | BORIS GASPAROV | | ALEXANDRE RAVELEAU | | ANTOINE DUHAMEL | The Cambridge Companion to Opera Studies | | The Cambridge companion to Grand Opera | | 100 maux de l'Opéra | | Five operas and a symphony : words and music in Russian culture | | Chant, danse, théatre : la première école de comédie musicale en France | | Avant-Scène Opéra (L'), n° 7a : Gambara | | | | | Via Appia | | | | Art et spectacle | | | CAMBRIDGE UNIVERSITY PRESS | | CAMBRIDGE UNIVERSITY PRESS | | PAPIERS MUSIQUE | | YALE | | LA MARTINIERE | | PREMIERES LOGES | 32.20 € | | 40.50 € | | 18.00 € | | 91.20 € | | 29.00 € | | 12.00 € |
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 | |  | |  | |  | |  | |  | GIUSEPPE MAZZINI | | WILLIAM GIBBONS | | JÉRÔME DORIVAL | | JEAN-PHILIPPE BIOJOUT | | RICHARD SOMERSET-WARD | | CYRILLE PIOT | Philosophie de la musique : vers un opéra social (1835) | | Building the Operatic Museum | | O Tempus Perfectum n°7 | | La discothèque de référence en CD | | Angels and monsters : male and female sopranos in the story of opera, 1600-1900 | | Lorenzo Da Ponte : le librettiste de Mozart : 1749-1838 | | | | | | | | | | | | VAN DIEREN | | UNIVERSITY OF ROCHESTER PRESS | | SYMETRIE | | BLEU NUIT | | YALE UNIVERSITY PRESS | | L'HARMATTAN | 18.00 € | | 33.00 € | | 12.00 € | | 15.60 € | | 45.00 € | | 23.00 € |
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 | |  | |  | |  | |  | |  | ANA STEFANOVIC | | MARTHE GALLAND | | WILLIAM EVERETT | | MARK EVERIST | | BIOJOUT JEAN-PHILIPPE / KLEINEFENN FLORIEN | | ALEXANDRA CHERCIU | La musique comme métaphore | | Charles Gounod : Mireille | | The Cambridge Companion to the Musical | | Meyerbeer and Grand Opéra from the July Monarchy to the Present | | Les insolites de l'Opéra-Bastille | | La dramaturgie devant l'histoire | Univers musical | | Critiques de l'opéra francais du XIXème siècle | | | | | | | | Univers musical | L'HARMATTAN | | LUCIE GALLAND | | CAMBRIDGE UNIVERSITY PRESS | | BREPOLS | | BLEU NUIT | | L'HARMATTAN | 44.00 € | | 44.50 € | | 32.40 € | | 122.00 € | | 45.00 € | | 36.00 € |
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 | |  | |  | |  | |  | |  | MICHEL BOSC | | CHARLOTTE SEGONZAC | | LA DIRECTION DE CÉCILE REYNAUD ET JEAN-CLAUDE YON SOUS | | LA DIRECTION DE PATRICE VEIT, PHILIPPE GUMPLOWICZ, CAROLINE MOINE SOUS | | GUY DELVAUX DESSIN ANTONIO FERRARA SCÉNARIO | | GUY DELVAUX DESSIN ANTONIO FERRARA SCÉNARIO | Jill Feldman, soprano incandescente : bien au-delà du baroque | | Ecrivains et livret d'opéra au tournant du XXe siècle | | Auber et Scribe, un patrimoine lyrique vivant : Le concert à la cour (1824), Act | | Le Fidelio de Beethoven : transferts, circulations, appropriations (1798-XXIe si | | Fidélio | | Norma | Univers musical | | Le dialogue des arts, n°10 | | | | Arts et littératures. Dialogues entre cultures | | Si l'opéra m'était dessiné... | | Si l'opéra m'était dessiné... | L'HARMATTAN | | CHAMPION | | HERMANN | | PRESSES UNIVERSITAIRES DU SEPTENTRION | | KIFADASSÉ | | KIFADASSÉ | 17.50 € | | 55.00 € | | 30.00 € | | 28.00 € | | 24.90 € | | 24.90 € |
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