| | | | |  | |  | |  | |  | |  | |  | | PHILIPPE DIR. MALHAIRE | | OLIVE JEAN-PAUL | | GERHARD KUBIK | | MICHEL ARBATZ | | SOGNY MICHEL | | GEORGE HEUSSENSTAMM | | Tempus perfectum : revue de musique, n° 6 | | Un son dĂ©senchantĂ© : musique et thĂ©orie critique | | Theory of African Music, vol. 2 (Livre en anglais) | | Le moulin du parolier : guide pratique pour Ă©crire des chansons | | INITIATION Ă LâART DE LA COMPOSITION MUSICALE | | The Norton manual of music notation | | | Collection d'esthĂ©tique, n° 73 | | Chicago Studies in Ethnomusicology Series | | LittĂ©rature | | | | | | SYMETRIE | | KLINCKSIECK | | UNIVERSITY OF CHICAGO PRESS | | LE TEMPS QU'IL FAIT | | SIRELLA | | NORTON | | | 30.88 € | | | | 29.00 € | | 10.00 € | | |
 |
 | |  | |  | |  | |  | |  | | JOACHIM BURMEISTER | | RICHARD COHN | | SCHOENBERG | | KYLE GANN | | BAERTSOEN JEAN-CLAUDE | | BAERTSOEN JEAN-CLAUDE | | Musical Poetics | | Audacious Euphony: Chromatic Harmony and the Triad's Second Nature | | Fundamentals of musical composition | | The Arithmetic of Listening | | CrĂ©atif, vol. 6 : la relation plagale | | CrĂ©atif, vol. 5 : autour du suspense 5 | | | | | | | | | | | | | YALE | | OXFORD UNIVERSITY PRESS | | FABER & FABER | | ILLINOIS UP | | DELATOUR | | DELATOUR | | 54.00 € | | | | | | | | | | |
|
 | |  | |  | |  | |  | |  | | PRITHWINDRA MUKHERJEE | | PASCAL MICHON | | PASCAL MICHON | | BRESSON JEAN / AGON CARLOS / ASSAYAG GĂRARD | | COLLECTIF | | DUSAPIN PASCAL | | ThĂąt-mĂ©lakartĂą | | Elements of rhythmology, vol. 2 : from the Enlightenment to the 19th century | | Elements of rhythmology, vol. 1 : Antiquity | | The OM composer's book, vol. 1 | | L'Ăcole de Charleville : François LeclĂšre et son enseignement | | Composer : musique, paradoxe, flux : chaire annuelle CrĂ©ation artistique 2006-07 | | Art - Musicologie - Recherches | | Rythmologies | | Rythmologies | | Musique-sciences | | | | Leçons inaugurales du CollĂšge de France, n°191 | | PUBLIBOOK.COM | | RHUTHMOS | | RHUTHMOS | | DELATOUR / IRCAM | | LES 3 MONDES | | COLLĂGE DE FRANCE | | | | | | | | | | | 12.00 € |
|
 | |  | |  | |  | |  | |  | | FRANCK JEDRZEJEWSKI | | BAERTSOEN JEAN-CLAUDE | | GEORGE PERLE | | BAERTSOEN JEAN-CLAUDE | | NICHOLAS BARAGWANATH | | BAERTSOEN JEAN-CLAUDE | | La musique dodécaphonique et sérielle : une nouvelle histoire | | Créatif, vol. 12 : introduction au deux-voix classique | | Twelve-Tone Tonality | | Créatif, vol. 3 : approche globale | | The Solfeggio tradition | | Créatif, vol. 4 : la mobilité | | Music, Science and Technology, n°3 | | | | | | | | | | | | BREPOLS | | DELATOUR | | UNIVERSITY OF CALIFORNIA PRESS | | DELATOUR | | OXFORD UNIVERSITY PRESS | | DELATOUR | | | | | | | | | | | |
|
 | |  | |  | |  | |  | |  | | TUREK RALPH / MCCARTHY DANIEL | | DURAND EMILE | | BEAUDOIN GILLES | | KĂGLE KARL | | LA DIRECTION DE LAURENT POTTIER SOUS | | MARY LEWIS, | | Theory for today's musician (second edition) | | TraitĂ© de composition musicale | | ĂlĂ©ments dâanalyse et dâĂ©criture musicales. 4e Ă©dition. CorrigĂ© dâexercices | | The Manuscript Ivrea, Bibiloteca Capitolare 115 | | Le calcul de la musique : composition, modĂšles & outils | | Antonio Gardano, Venetian Music Printer, 1538-1569, volume 3 | | | | | | | Ars Nova | | Travaux-Centre interdisciplinaire d'Ă©tudes et de recherches sur l'expression contemporaine. Musicologie | | | | ROUTLEDGE | | BNF | | PRESSES DE L'UNIVERSITĂ LAVAL (PUL) | | LIBRERIA MUSICALE ITALIANA | | PRESSES SAINT-ETIENNE | | ROUTLEDGE | | | | | 24.00 € | | | | | | |
|
 | |  | |  | |  | |  | |  | | PIERO RATTALINO | | BAERTSOEN JEAN-CLAUDE | | BAERTSOEN JEAN-CLAUDE | | BAERTSOEN JEAN-CLAUDE | | BAERTSOEN JEAN-CLAUDE | | MICHELE KASCHUB | | Gli Strumenti Musicali | | Créatif, vol. 11 : le deux-voix traditionnel | | Créatif, vol. 9 : l'accord VI et plusieurs autres | | Créatif, vol. 8 : systÚme culbutant | | Créatif, vol. 7 : extension de la formule parfaite | | Experiencing music Composition in Grades 3-5 | | | | | | | | | | | | | RICORDI | | DELATOUR | | DELATOUR | | DELATOUR | | DELATOUR | | OXFORD UNIVERSITY PRESS | | | | | | | | | | | |
|
 | |  | |  | |  | |  | |  | | JOHN FRANCESCHINA | | DICK GROVE | | MARY SIMONI | | OLIVE, GIORDANO FERRARI, ALVARO OVIEDO ET FABIEN SAN MARTIN JEAN-PAUL | | JEANINE GAGNĂ | | VALLEJO ALAIN | | Music Theory through Musical Theatre: Putting It Together | | Basic harmony and theory applied to improvisation, vol. 2 | | Algorithmic Composition: A Guide to Composing Music with Nyquist | | Les possibles de l'Ă©criture : forces, formes, sens | | Vocal Production & Recording | | Traite Pratique de la Transposition et de la Transcription Musicales | | | | | | | Arts 8. Compositions | | Livre | | Collection PĂ©dago | | OXFORD UNIVERSITY PRESS | | ALFRED MUSIC | | UNIVERSITY OF MICHIGAN PRESS | | L'HARMATTAN | | BERKLEE | | MEDIAMUSIQUE | | | 26.64 € | | | | 31.00 € | | 36.60 € | | 39.50 € |
 | | | | | | | | | | | | KOCH HEINRICH CHRISTOPH | | | | | | | | | | | | Versuch einer Anleitung zur Composition, 3 volumes | | | | | | | | | | | | | | | | | | | | | | | GEORG OLMS | | | | | | | | | | | | 95.00 € | | | | | | | | | | |
| |
