| | |
| |  | |  | |  | |  | |  | |  | | ORLANDO SANCHEZ | | BARRY FINNERTY | | GEORGE HEUSSENSTAMM | | CONGRÈS EUROPÉEN D'ANALYSE MUSICALE | | MARIE-CLAIRE ALAIN | | MC NEELY JIM | | Cubajazz | | Serious Jazz Book II | | The Norton manual of music notation | | Analyse et création musicales | | Critical Notes On The Organ Works Of Jehan Langlais | | The art of comping / L'art de l'accompagnement - Piano | | Etudes de musique Cubaine pour Tout Instrument | | Tout Instrument | | | | Musique et musicologie - Les dialogues | | Traité | | | | ADVANCE | | SHER MUSIC | | NORTON | | L'HARMATTAN | | LEDUC | | ADVANCE MUSIC | | 34.70 € | | 44.90 € | | | | 48.50 € | | 73.50 € | | |
 |
 | |  | |  | |  | |  | |  | | JOACHIM BURMEISTER | | YIZHAK SADAÏ | | RICHARD COHN | | BRODSKY, JÉRÔME DUVAL-HAMEL ET LE COLLECTIF DE L'ART FABER ALEXIS | | DECROUPET PASCAL | | MARCEL BITSCH | | Musical Poetics | | Traité de sujets musicaux | | Audacious Euphony: Chromatic Harmony and the Triad's Second Nature | | La muse méconnue de Maurice Ravel | | John Cage : Sonates et interludes | | Exercices d'harmonie vol. 1. Réalisations | | | Musique et musicologie - Les dialogues | | | | Art faber | | Contrechamps poche | | | | YALE | | L'HARMATTAN | | OXFORD UNIVERSITY PRESS | | ACTES SUD | | CONTRECHAMPS | | LEDUC | | 54.00 € | | | | | | 13.00 € | | 15.00 € | | 20.60 € |
 | |  | |  | |  | |  | |  | | SCHOENBERG | | CHERUBINI | | FRANK SIKORA | | KYLE GANN | | BAERTSOEN JEAN-CLAUDE | | BAERTSOEN JEAN-CLAUDE | | Fundamentals of musical composition | | Cours de contrepoint et de fugue (1832) | | Jazz harmony : Think, Listen, Play, a Practical Approach | | The Arithmetic of Listening | | Créatif, vol. 6 : la relation plagale | | Créatif, vol. 5 : autour du suspense 5 | | | | | | | | | | | | | FABER & FABER | | HACHETTE | | SCHOTT | | ILLINOIS UP | | DELATOUR | | DELATOUR | | | | | | | | | | | |
 | |  | |  | |  | |  | |  | | LAITZ STEVEN G. / BARLETTE CHRIS | | SAMUEL ADLER | | PRITHWINDRA MUKHERJEE | | PASCAL MICHON | | PASCAL MICHON | | DONALD MAURICE | | Graduate review of tonal theory | | Sight singing : pitch - interval - rhythm | | Thât-mélakartâ | | Elements of rhythmology, vol. 2 : from the Enlightenment to the 19th century | | Elements of rhythmology, vol. 1 : Antiquity | | Bartok's Viola Concerto | | | | | Art - Musicologie - Recherches | | Rythmologies | | Rythmologies | | Studies in Musical Genesis, Structure, and Interpretation | | OXFORD UNIVERSITY PRESS | | NORTON | | PUBLIBOOK.COM | | RHUTHMOS | | RHUTHMOS | | OXFORD UNIVERSITY PRESS | | 172.70 € | | | | | | | | | | |
 | |  | |  | |  | |  | |  | | STRAUS JOSEPH N. | | BRESSON JEAN / AGON CARLOS / ASSAYAG GÉRARD | | TIMOTHY JOHNSON | | REVUE | | EUGENE HELM | | COLLECTIF | | Introduction to post-tonal theory | | The OM composer's book, vol. 1 | | Foundations of diatonic theory | | Musicorum, n° 2 (2003) | | Melody, harmony, tonality : an introduction | | L'École de Charleville : François Leclère et son enseignement | | | Musique-sciences | | | | | | | | | | NORTON | | DELATOUR / IRCAM | | SCARECROW PRESS | | PRESSES UNIVERSITAIRES FRANCOIS-RABELAIS | | ROWMAN & LITTLEFIELD | | LES 3 MONDES | | | | | | | 15.00 € | | | | |
|
 | |  | |  | |  | |  | |  | | PETER SZENDY | | SOGNY MICHEL | | MIMI RABSON | | BROHM JEAN-MARIE | | JOHN WILSON | | FRANCK JEDRZEJEWSKI | | Emmanuel Nunes | | INITIATION À L’ART DE LA COMPOSITION MUSICALE | | Arranging for strings | | Ontologie phénoménologique de la musique : les oeuvres et leurs interprétations | | Instrumental Jazz Arranging | | La musique dodécaphonique et sérielle : une nouvelle histoire | | Cahiers de l'IRCAM (Les). Compositeurs d'aujourd'hui | | | | | | | | Harmonie Jazz | | Music, Science and Technology, n°3 | | L'HARMATTAN | IRCAM-CENTRE GEORGES POMPI | | SIRELLA | | BERKLEE | | PRESSES UNIVERSITAIRE DE PARIS NANTERRE | | HAL LEONARD | | BREPOLS | | | 15.00 € | | | | 14.00 € | | 76.00 € | | |
|
 | |  | |  | |  | |  | |  | | BACRI NICOLAS / WEYER SABINE | | CARINOLA VINCENT-RAPHAËL | | REHDING ALEXANDER / RINGS STEVEN | | BAERTSOEN JEAN-CLAUDE | | CARL SCHATCHTER | | DENNIS SHROCK | | Eclairages | | Composition, technologies et nouveaux agencements des catégories musicales | | The Oxford Handbook of Critical Concepts in Music Theory | | Créatif, vol. 12 : introduction au deux-voix classique | | The Art of Tonal Analysis | | Choral monuments | | Musiques en question(s) | | Musique et musicologie | | Oxford Handbook | | | | | | | | L'HARMATTAN | | PUBL. UNIV. SAINT-ETIENNE | | OXFORD UNIVERSITY PRESS | | DELATOUR | | OXFORD UNIVERSITY PRESS | | OXFORD UNIVERSITY PRESS | | 45.00 € | | | | | | | | | | |
 | |  | |  | |  | |  | |  | | GEORGE PERLE | | ANTHONY POPLE | | JIM SNIDERO | | SCHMIDT-BESTE THOMAS | | BAERTSOEN JEAN-CLAUDE | | MASSON MARIE-NOËLLE (DIR.) | | Twelve-Tone Tonality | | Theory, analysis and meaning in music | | Jazz Conception Study Guide | | The Sonata | | Créatif, vol. 3 : approche globale | | Entre théorie et analyse musicale | | | | | Tout Instrument | | Cambridge Introductions to music | | | | | | UNIVERSITY OF CALIFORNIA PRESS | | CAMBRIDGE UNIVERSITY PRESS | | ADVANCE | | CAMBRIDGE UNIVERSITY PRESS | | DELATOUR | | DELATOUR | | | | | 33.60 € | | | | | | 32.00 € |
| |
| |
