| | |
| |  | |  | |  | |  | |  | |  | | DE LA MOTTE DIETHER | | ROY HOWAT | | DORA HANNINEN | | WATARA MIYAKAWA | | SOGNY MICHEL | | JOHANN JOSEPH FUX | | Harmonielehre | | Debussy in proportion : a musical analysis | | A Theory of Music Analysis | | Toru Takemitsu : situation, hĂ©ritage, culture | | INITIATION Ă LâART DE LA COMPOSITION MUSICALE | | Gradus ad Parnassum (1725), Ă©dition bilingue latin-français | | | | | | | Univers musical | | | | A.M.I.C.V.S | | BARENREITER | | CAMBRIDGE UNIVERSITY PRESS | | UNIVERSITY OF ROCHESTER PRESS | | L'HARMATTAN | | SIRELLA | | LES PRESSES DU COLLĂGE MUSICAL | | 21.20 € | | | | 38.90 € | | 40.50 € | | 10.00 € | | 62.00 € |
 | |  | |  | |  | |  | |  | | DECROUPET PASCAL | | RENĂ DUCLOS | | JAMES HEPOKOSKI | | ROD FOGG | | JACQUES VIRET | | ALAIN WEBER | | John Cage : Sonates et interludes | | 24 textes d'harmonie faciles progressifs | | A sonata theory handbook | | Lire la musique : guide Ă la comprĂ©hension de l'Ă©criture musicale | | Le retour d'OrphĂ©e | | TABLEAUX SYNOPTIQUES DES REGLES DE CONTREPOINT | | Contrechamps poche | | | | | | Petite bibliothĂšque des arts | | ThĂ©ĂŽria | | | | CONTRECHAMPS | | LEDUC | | OXFORD UNIVERSITY PRESS | | GREMESE | | L'HARMATTAN | | LEDUC | | 15.00 € | | | | | | | | | | |
 |
 | |  | |  | |  | |  | |  | | CADWALLADER ALLEN / GAGNĂ DAVID | | SUZANNE MONTU-BERTHON | | THOMAS BENJAMIN | | GORDIEN PHILIPPE / GOUE BERNARD | | ALEXIS BRODSKY / JĂRĂME DUVAL-HAMEL / COLLECTIF DE L'ART FABER | | MARCEL BITSCH | | Analysis of tonal music : a Schenkerian approach (livre en anglais) | | La suite instrumentale des origines Ă nos jours | | The Craft of Tonal Counterpoint | | Analyses d'oeuvres d'Emile GouĂ© | | La muse mĂ©connue de Maurice Ravel | | Exercices d'harmonie vol. 1. RĂ©alisations | | | Musique, musicologie, n°17 | | | | Musiques en question(s) | | Art faber | | | | OXFORD UNIVERSITY PRESS | | CHAMPION | | ROUTLEDGE | | L'HARMATTAN | | ACTES SUD | | LEDUC | | 93.00 € | | | | 97.50 € | | 24.00 € | | 13.00 € | | 20.60 € |
|
 | |  | |  | |  | |  | |  | | RAMNARINE TINA K. | | BARRY FINNERTY | | GEORGE HEUSSENSTAMM | | CAROLYN ABBATE | | CONGRĂS EUROPĂEN D'ANALYSE MUSICALE | | MARIE-CLAIRE ALAIN | | Jean Sibelius's Violin Concerto | | Serious Jazz Book II | | The Norton manual of music notation | | Voix hors-chant : opĂ©ra et rĂ©cit musical au XIXe siĂšcle | | Analyse et crĂ©ation musicales | | Critical Notes On The Organ Works Of Jehan Langlais | | | Tout Instrument | | | | Musique, n° 7 | | Musique et musicologie - Les dialogues | | TraitĂ© | | OXFORD UNIVERSITY PRESS | | SHER MUSIC | | NORTON | | VAN DIEREN | | L'HARMATTAN | | LEDUC | | 27.70 € | | 44.90 € | | | | 30.00 € | | 48.50 € | | 73.50 € |
|
 | |  | |  | |  | |  | |  | | GUILLAUME PASTRE | | MC NEELY JIM | | JOACHIM BURMEISTER | | YIZHAK SADAĂ | | RICHARD COHN | | DUSAPIN PASCAL | | Un art de la cohĂ©rence : Different trains, Steve Reich | | The art of comping / L'art de l'accompagnement - Piano | | Musical Poetics | | TraitĂ© de sujets musicaux | | Audacious Euphony: Chromatic Harmony and the Triad's Second Nature | | Composer : musique, paradoxe, flux : chaire annuelle CrĂ©ation artistique 2006-07 | | Univers musical | | | | | | Musique et musicologie - Les dialogues | | | | Leçons inaugurales du CollĂšge de France, n°191 | | L'HARMATTAN | | ADVANCE MUSIC | | YALE | | L'HARMATTAN | | OXFORD UNIVERSITY PRESS | | COLLĂGE DE FRANCE | | 26.00 € | | | | 54.00 € | | | | | | |
 | |  | |  | |  | |  | |  | | SCHOENBERG | | CHERUBINI | | FRANK SIKORA | | KYLE GANN | | BAERTSOEN JEAN-CLAUDE | | BAERTSOEN JEAN-CLAUDE | | Fundamentals of musical composition | | Cours de contrepoint et de fugue (1832) | | Jazz harmony : Think, Listen, Play, a Practical Approach | | The Arithmetic of Listening | | Créatif, vol. 6 : la relation plagale | | Créatif, vol. 5 : autour du suspense 5 | | | | | | | | | | | | | FABER & FABER | | HACHETTE | | SCHOTT | | ILLINOIS UP | | DELATOUR | | DELATOUR | | | | | | | | | | | |
 | |  | |  | |  | |  | |  | | LAITZ STEVEN G. / BARLETTE CHRIS | | SAMUEL ADLER | | PRITHWINDRA MUKHERJEE | | PASCAL MICHON | | PASCAL MICHON | | DONALD MAURICE | | Graduate review of tonal theory | | Sight singing : pitch - interval - rhythm | | ThĂąt-mĂ©lakartĂą | | Elements of rhythmology, vol. 2 : from the Enlightenment to the 19th century | | Elements of rhythmology, vol. 1 : Antiquity | | Bartok's Viola Concerto | | | | | Art - Musicologie - Recherches | | Rythmologies | | Rythmologies | | Studies in Musical Genesis, Structure, and Interpretation | | OXFORD UNIVERSITY PRESS | | NORTON | | PUBLIBOOK.COM | | RHUTHMOS | | RHUTHMOS | | OXFORD UNIVERSITY PRESS | | 172.70 € | | | | | | | | | | |
 | |  | |  | |  | |  | |  | | STRAUS JOSEPH N. | | BRESSON JEAN / AGON CARLOS / ASSAYAG GĂRARD | | TIMOTHY JOHNSON | | REVUE | | EUGENE HELM | | COLLECTIF | | Introduction to post-tonal theory | | The OM composer's book, vol. 1 | | Foundations of diatonic theory | | Musicorum, n° 2 (2003) | | Melody, harmony, tonality : an introduction | | L'Ăcole de Charleville : François LeclĂšre et son enseignement | | | Musique-sciences | | | | | | | | | | NORTON | | DELATOUR / IRCAM | | SCARECROW PRESS | | PRESSES UNIVERSITAIRES FRANCOIS-RABELAIS | | ROWMAN & LITTLEFIELD | | LES 3 MONDES | | | | | | | 15.00 € | | | | |
| |
| |
