| | |
| |  | |  | |  | |  | |  | |  | | LAWRENCE KRAMER | | ANDREW DELL'ANTONIO | | TIM CARTER | | JEAN-PAUL OLIVE | | LA DIRECTION DE GEORGES BLOESS SOUS | | ALAN THRASHER | | Music as cultural practice 1800-1900 | | Listening as spiritual practice in Early Modern Italy | | The Cambridge History of Seventeenth-Century Music | | Expérience et fragment dans l'esthétique musicale d'Adorno | | Destruction, création, rythme : l'expressionnisme, une esthétique du conflit | | Chinese musical instruments | | | | | | | | | | | | | UNIVERSITY OF CALIFORNIA PRESS | | UNIVERSITY OF CALIFORNIA PRESS | | CAMBRIDGE UNIVERSITY PRESS | | L'HARMATTAN | | L'HARMATTAN | | OXFORD UNIVERSITY PRESS | | | | | | | | | 42.00 € | | |
 |
 | |  | |  | |  | |  | |  | | KWON DONNA LEE | | JOHN MURPHY | | DANIEL MELAMED | | LISA GOLD | | DREW MASSEY | | HELEN SMITH | | Music in Korea | | Music in Brazil | | An introducing to Bach studies | | Music in Bali | | John Kirkpatrick, American Music, and the Printed Page | | There's a place for us : the musical theatre works of Leonard Bernstein | | Global Music Series | | Global Music Series | | | | Global Music Series | | | | | | OXFORD UNIVERSITY PRESS | | OXFORD UNIVERSITY PRESS | | OXFORD UNIVERSITY PRESS | | OXFORD UNIVERSITY PRESS | | UNIVERSITY OF ROCHESTER PRESS | | ASHGATE PUBLISHING | | | | | | | | | | | |
 | |  | |  | |  | |  | |  | | FRANCESCO IZZO | | DOMENICO SEVERIN | | MARYVONNE RIPPERT | | GISÈLE GALLAIS | | AURÉLIEN POIDEVIN | | GONIN PHILIPPE (DIR.) | | Laughter between Two Revolutions: Opera Buffa in Italy, 1831-1848 | | La Registrazione Organistica | | Alabama blues | | Vous jeunes gens qui désirez entendre... | | Opéra garnier | | Focus sur le rock en France | | Eastman Studies in Music | | | | Oskar poche, Société | | Patrimoine oral de Bretagne, n° 5 | | | | Pensée musicale | | UNIVERSITY OF ROCHESTER PRESS | | ARMELIN MUSICA | | OSKAR | | PRESSES UNIVERSITAIRES DE RENNES | | LA MARTINIERE | | DELATOUR | | | | | | | | | | | |
 | |  | |  | |  | |  | |  | | MORRICONE ENNIO / MICELI SERGIO | | GONZALEZ PALOMA OTAOLA | | BARBARA HEYMAN | | SCHMIEDER | | ANNE-MARIE SALLÉ | | ANNE PIÉJUS | | Composing for the cinema | | La pensée musicale espagnole à la Renaissance | | Samuel Barber: A Thematic Catalogue of the Complete Works | | Bach-Werk-Verzeichnis; kleine Ausgage | | Tentatives d'Evasion, Ombres et Lumieres à Clairvaux | | Musique et dévotion à Rome à la fin de la Renaissance | | | | | | | | | | | | | SCARECROW PRESS | | L'HARMATTAN | | OXFORD UNIVERSITY PRESS | | BREITKOPF | | LOCO | | BREPOLS | | | 29.50 € | | | | | | 22.00 € | | |
|
 | |  | |  | |  | |  | |  | | D'ENTRETIEN CARNET | | RÉMY SANVOISIN | | KATHLEEN MARIE HIGGINS | | RICHARD SEMMENS | | KOTTICK EDWARD L. | | DANIEL ISAAC ITOUA | | CARNET D'ENTRETIEN DES INSTRUMENTS À ARCHET | | Kubrick et la musique | | The music between us: is music a universal language? | | The Bals Publics at the Paris Opera in the Eighteenth Century | | The Harpsichord Owner's Guide: A Manual for Buyers and Owners | | Instruments de musique traditionnelle des Mbôsi du Congo | | | Philosophie et cinéma | | | | Dance & Music, n° 13 | | | | Études africaines | | DEVENIR MUSIQUE | | VRIN | | CHICAGO U.P. | | PENDRAGON PRESS | | UNIVERSITY OF NORTH CAROLINA PRESS | | L'HARMATTAN | | | | | | | 63.70 € | | | | |
|
 | |  | |  | |  | |  | |  | | GRIMM JACOB / GRIMM WILHELM | | PETER WILLIAMS | | BENJAMIN CAWTHRA | | JOHN SPITZER | | GIOVANNI LISTA | | MATTHIAS VINCENOT | | Les musiciens de la ville de Brême | | Bach, Handel, Scarlatti, 1685-1985 (Livre en anglais) | | Blue Notes in Black and White: Photography and Jazz (Livre en anglais) | | American Orchestras in the Nineteenth Century | | Loïe Fuller, danseuse de la Belle Époque | | Le mot et la note | | Contes des mille et un lieux | | | | | | | | Danse | | Essai | | BELIN | | CAMBRIDGE UNIVERSITY PRESS | | UNIVERSITY OF CHICAGO PRESS | | UNIVERSITY OF CHICAGO PRESS | | HERMANN | | AMANDIER | | | | | | | | | | | |
 | |  | |  | |  | |  | |  | | KRISTINA MUXFELDT | | SAEZ JEAN-PIERRE DIR. / DEMONET GILLES DIR. | | MICHEL FAUL | | LAURE LIMONGI | | REVUE | | BUCH DAVID J. | | Vanishing Sensibilities : Schubert, Beethoven, Schumann | | Opéra à l'écran : opéra pour tous ? | | Les tribulations mexicaines de Nicolas-Charles Bochsa, harpiste | | Soliste | | Medecine des Arts, n° 71 | | Magic Flutes and Enchanted Forests: The Supernatural in Eighteenth-Century Music | | | L'univers esthétique | | | | Fiction | | | | | | OXFORD UNIVERSITY PRESS | | L'HARMATTAN | | DELATOUR | | INCULTE | | ALEXITERE | | UNIVERSITY OF CHICAGO PRESS | | | | | | | | | | | |
 | |  | |  | |  | |  | |  | | FRÉDÉRIC VERGER | | PHILIPPE GROSOS | | ALFRED EINSTEIN | | JEAN-PIERRE PASTORI | | GUNTHER BRAAM | | GUY DELHASSE | | Arden | | L'existence musicale : essai d'anthropologie phénoménologique | | Schubert, portrait d'un musicien | | Renaissance des ballets russes | | The Portraits of Hector Berlioz (2 volumes) | | Petits lieux à chansons de Belgique : 1950-2012 | | | Être et devenir | | TEL | | | | | | Cabaret | | GALLIMARD | | L'AGE D'HOMME | | GALLIMARD | | FAVRE | | BARENREITER | | L'HARMATTAN | | | | | 14.50 € | | | | | | |
| |
| |
