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| |  | |  | |  | |  | |  | |  | | HELLWIG-UNRUH RENATE | | PIERRE FARGETON | | ANGELA MARIANI | | BODMAN RAE CHARLES | | DE LUCCA VALERIA | | GLIXON BETH & JONATHAN | | Fanny Hensel | | Boppin' with Django | | Improvisation and Inventio in the Performance of Medieval Music | | The music of Lutoslawski | | The Politics of Princely Entertainment | | Inventing the business of opera | | | Pensée musicale | | | | | | | | | | KUNZELMANN | | DELATOUR | | OXFORD UNIVERSITY PRESS | | OMNIBUS PRESS | | OXFORD UNIVERSITY PRESS | | OXFORD UNIVERSITY PRESS | | | | | | | 36.98 € | | | | |
 | |  | |  | |  | |  | |  | | DOMINIQUE RENIERS | | JENNIFER IVERSON | | COLLECTIF | | CABOT JEAN-SYLVAIN | | OWEN REES | | HATTIER JANE D. | | Beethoven en 250 anecdotes | | Electronic Inspirations | | Ecrire comme composer : le rôle des diagrammes | | Eric Clapton : blues power | | The Requiem of Tomás Luis de Victoria (1603) | | Composing community in late medieval music | | Univers musical | | | | | | Musiques | | | | | | L'HARMATTAN | | OXFORD UNIVERSITY PRESS | | DELATOUR | | LE MOT ET LE RESTE | | CAMBRIDGE UNIVERSITY PRESS | | CAMBRIDGE UNIVERSITY PRESS | | | | | | | 22.00 € | | | | |
 | |  | |  | |  | |  | |  | | MARK EVERIST | | KAREN DESMOND | | NATHAN WADDELL | | JULIAN JOHNSON | | ANNA BULL | | DE MURS JEAN | | Discovering medieval song | | Music and the moderni, 1300-1350 | | Moonlighting : Beethoven and literary modernism | | After Debussy | | Class, Control, and Classical Music | | Ecrits sur la musique | | | | | | | | | | | Sciences de la musique | | CAMBRIDGE UNIVERSITY PRESS | | CAMBRIDGE UNIVERSITY PRESS | | OXFORD UNIVERSITY PRESS | | OXFORD UNIVERSITY PRESS | | OXFORD UNIVERSITY PRESS | | CNRS EDITIONS | | | 144.70 € | | | | | | | | |
 | |  | |  | |  | |  | |  | | SALA LUCA LÉVI / STEWART-MACDONALD ROHAN | | GEORGINA BORN | | CERVINO, MARIA LETTBERG, TÂNIA LISBOA, CATHERINE LAWS ALESSANDRO | | BORN G. / LEWIS E. / STRAW W. | | MARIANNA RITCHEY | | ROGER NICHOLS | | Muzio Clementi and the British musical culture | | Rationalizing culture | | The Practice of Practising (Collected Writings of the Orpheus Institute) | | Improvisation and social aesthetics | | Composing capital : classical music in the Neoliberal Era | | Poulenc : A biography | | | | | Orpheus Institute | | | | | | | | ROUTLEDGE | | UNIVERSITY OF CALIFORNIA PRESS | | LEUVEN | | DUKE UNIVERSITY PRESS | | CHICAGO U.P. | | YALE | | | | | 33.00 € | | | | 49.80 € | | |
 | |  | |  | |  | |  | |  | | GOPINATH SUMANTH / SIÔN PWYLL AP | | FORSDICK CHARLES / MURPHY DAVID | | GASCH STEFAN / TRÖSTER SONJA | | FRANÇOIS FRIMAT | | JULIE RUOCCO | | MROZOWICKI PAUL MICHAL | | Rethinking Reich | | Francophone Postcolonial studies | | Ludwig Senfl : a catalogue raisonné vol.1 | | Qu'est-ce que la danse contemporaine ? | | Et si jouer était un art ? | | Richard Wagner et sa réception en France, vol.3 | | | Hodder Education | | Epitome musical | | | | | | | | OXFORD UNIVERSITY PRESS | | ROUTLEDGE | | BREPOLS | | PUF | | L'HARMATTAN | | SYMETRIE | | | 42.90 € | | | | | | | | 37.00 € |
 | |  | |  | |  | |  | |  | | FRANCESCO RAPAZZINI | | BENARD-GOUTOULY NADÈGE | | POIRIER ALAIN (DIR.) | | DORF SAMUEL N. | | JACQUES COLIN | | GINO SITSON | | Damia : une diva française | | Le métal folklorique, entre tradition et modernité | | 40 ans : Conservatoire national supérieur musique et danse de Lyon | | Performing Antiquity | | Johnny Cash s'est évadé | | Santiman et lokans dans le Gwoka | | | | | | | | | A day in the life | | | | BARTILLAT | | CAMION BLANC | | CNSMD LYON | | OXFORD UNIVERSITY PRESS | | CASTOR ASTRAL | | DELATOUR | | | | | | | | | | | |
 | |  | |  | |  | |  | |  | | LETESTU AGNÈS / MANNONI GÉRARD | | PAUL HARRIS | | DANIEL CHARLES | | SALWA CASTELO-BRANCO | | JEAN-TRISTAN RICHARD | | TOMITA YO / LEAVER ROBIN / SMACZNY JAN (DIR.) | | Danseuse Etoile | | The Cambridge clarinet tutor | | Gloses sur John Cage | | Music in Portugal and Spain | | Les standards du Jazz | | Exploring Bach's B-minor Mass | | | | | | | OUP Higher Education Division | | | | | | BUCHET-CHASTEL | | CAMBRIDGE UNIVERSITY PRESS | | DESCLÉE DE BROUWER | | OXFORD UNIVERSITY PRESS | | L'HARMATTAN | | CAMBRIDGE UNIVERSITY PRESS | | | | | | | | | | | |
 | |  | |  | |  | |  | |  | | FRANCO MARIE / OLMOS MIGEL A. (DIR.) | | COOK N. / INGALLS M.M / TRIPPETT D. | | HENRI ROSSI | | COLLECTIF | | HELGA FINTER | | COHEN ET CHRISTOPHE PIERRE OLIVIA-JEANNE | | La Chanson dans l'Espagne contemporaine (XIXe-XXIe siècles) | | The Cambridge Companion to Music in Digital Culture | | Opéras historiques français 1767-1989 | | Paris-Londres : music migrations 1962-1989 | | Corps de l'audible | | Musique et littérature, dialogue intemporel : | | | | | | | | | Theaomai | | Rue des Ecoles. Essais | | PETER LANG | | CAMBRIDGE UNIVERSITY PRESS | | CHAMPION | | RMN-GRAND PALAIS | | PETER LANG | | L'HARMATTAN | | | | | | | 29.00 € | | | | 14.00 € |
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