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 | |  | |  | |  | |  | |  | | CHRISTOPHE GIRAUD | | LIVIA PANCINO | | MAURO CALCAGNO | | LEWIS PORTER | | CHRISTIAN MEYER | | HAMMOND SUSAN LEWIS | | Notre-Dame de Paris 1163-2013 | | Johan Adolf Hasse - Giammario Ortes. Lettere. Edizione e commento | | Perspectives on Luca Marenzio’s Secular Music | | Jean Servin, Psalms | | Catalogue des manuscrits notés du Moyen-Âge | | The Madrigal: A Research and Information guide | | | | | | | | | COLLECTION DU NORD | | | | BREPOLS | | BREPOLS | | BREPOLS | | BREPOLS | | BREPOLS | | ROUTLEDGE | | | | | | | | | | | |
 | |  | |  | |  | |  | |  | | JOHN HAINES | | RICCARDO CHAILLY | | | | BALINT ANDRAS VARGA | | MARTIN WAHLBERG | | MICHAEL TALBOT | | Music in Films on the Middle Ages: Authenticity vs.Fantasy | | Das Geheimnis liegt in der Stille - Gespräche über Musik | | Celibidache conducts Prokofiev Symphony no. 5, Strauss Death and Transfiguration | | Three Questions for Sixty-Five Composers | | La scène de musique dans le roman du XVIIIe siècle | | Aspects of the secular cantata in late baroque Italy | | | | | | | | | L'Europe des Lumières, n° 36 | | | | ROUTLEDGE | | BARENREITER | | OPUS ARTE | | UNIVERSITY OF ROCHESTER PRESS | | CLASSIQUES GARNIER | | ASHGATE PUBLISHING | | | | | | | | | | | |
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 | |  | |  | |  | |  | |  | | WILLIAM GIBBONS | | ANDREW DERUCHIE | | OWEN MARTELL | | CABOT JEAN-SYLVAIN | | DEREK CAREW | | ANAHID KASSABIAN | | Building the Operatic Museum: Eighteenth-Century Opera in Fin-de-Siecle Paris | | The French Symphony at the Fin de Siècle: Style, Culture, and the Symphonic Trad | | Massilia sound system | | Fleetwood Mac | | The Mechanical Muse: The Piano, Pianism and Piano Music C. 1760-1850 | | Ubiquitous Musics: The Everyday Sounds That We Don't Always Notice | | Eastman Studies in Music | | Eastman Studies in Music | | | | | | | | | | UNIVERSITY OF ROCHESTER PRESS | | UNIVERSITY OF ROCHESTER PRESS | | LE MOT ET LE RESTE | | LE MOT ET LE RESTE | | ASHGATE PUBLISHING | | ASHGATE PUBLISHING | | | | | | | | | | | |
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