| | |
| |  | |  | |  | |  | |  | |  | | MARTIN WAHLBERG | | MICHAEL TALBOT | | BOUQUET-BOYER MARIE-THÉRÈSE | | JACKSON JEAN-PIERRE | | DU JAZZ (LES), NOUVELLE SÉRIE, N° 9 CAHIERS | | COLLECTIF | | La scène de musique dans le roman du XVIIIe siècle | | Aspects of the secular cantata in late baroque Italy | | Les noces de Pélée et de Thétis | | Benny Goodman | | André Hodeir | | La catastrophe apprivoisée : regards sur le jazz en France | | L'Europe des Lumières, n° 36 | | | | | | Classica | | | | Jazz en France | | CLASSIQUES GARNIER | | ASHGATE PUBLISHING | | PETER LANG | | ACTES SUD|CLASSICA | | OUTRE MESURE | | OUTRE MESURE | | | | | | | | | | | |
 | |  | |  | |  | |  | |  | | ERIC DESHAYES | | ROSSINI | | HELEN DEEMING | | SABINE PROKHORIS | | EDWARD BERGER | | ANDREW WOOLLEY | | Kraftwerk | | Le Comte Ory | | Manuscripts and Medieval Song | | Le fil d'Ulysse : retour sur Maguy Marin | | Softly, with feeling | | Interpreting historical keyboard music | | | | | | | Nouvelles scènes | | | | | | LE MOT ET LE RESTE | | BARENREITER | | CAMBRIDGE UNIVERSITY PRESS | | PRESSES DU REEL | | TEMPLE UNIV. PRESS | | ASHGATE PUBLISHING | | | | | | | | | | | |
 | |  | |  | |  | |  | |  | | ANNA ZAYARUZNAYA | | ROBERT BELLERET | | LUCA SALA | | FRITZ JEAN-MARIE | | FOHR | | LEE GENGARO CHRISTINE | | The monstruous New Art | | Piaf : un mythe français : biographie | | European Fin-de-siècle and Polish Modernism. The Music of Mieczys?aw Kar?owicz | | Paysages sonores du Moyen-Âge : le versant épistémologique | | Du décor à la scénographie | | Listening to Stanley Kubrick: The Music in His Films | | | Documents | | | | Sciences techniques et civilisations du Moyen-Âge à l'aube des lumières, n° 5 | | | | | | CAMBRIDGE UNIVERSITY PRESS | | FAYARD | | UT ORPHEUS | | CHAMPION | | L'ENTRETEMPS | | ROWMAN & LITTLEFIELD | | | | | | | | | | | |
 | |  | |  | |  | |  | |  | | DEBORAH MAWER | | BERND ALOIS ZIMMERMANN | | IAIN FENLON | | VINCENZO CAZZATO | | MICHAEL TALBOT | | BÉATRICE FERRIER | | French Music and Jazz in Conversation: From Debussy to Brubeck | | Über Musik und Musiker | | Heinrich Glarean's Books | | La festa delle arti | | Vivaldi's music for flute and recorder | | La bible à l'épreuve de la scène | | Music since 1900 | | | | | | | | | | Les dix-huitièmes siècles, n° 169 | | CAMBRIDGE UNIVERSITY PRESS | | BARENREITER | | CAMBRIDGE UNIVERSITY PRESS | | GANGEMI | | ASHGATE PUBLISHING | | CHAMPION | | | | | | | | | | | |
 |
 | |  | |  | |  | |  | |  | | MARK BERRY | | MONSON CRAIG A. (ED.) | | WILLIAM GIBBONS | | ANDREW DERUCHIE | | OWEN MARTELL | | CABOT JEAN-SYLVAIN | | After Wagner: Histories of Modernist Music Drama from Parsifal to Nono | | Music in Print and Beyond: Hildegard von Bingen to The Beatles | | Building the Operatic Museum: Eighteenth-Century Opera in Fin-de-Siecle Paris | | The French Symphony at the Fin de Siècle: Style, Culture, and the Symphonic Trad | | Massilia sound system | | Fleetwood Mac | | | Eastman Studies in Music | | Eastman Studies in Music | | Eastman Studies in Music | | | | | | BOYDELL PRESS | | UNIVERSITY OF ROCHESTER PRESS | | UNIVERSITY OF ROCHESTER PRESS | | UNIVERSITY OF ROCHESTER PRESS | | LE MOT ET LE RESTE | | LE MOT ET LE RESTE | | | | | | | | | | | |
 |
 | |  | |  | |  | |  | |  | | DEREK CAREW | | ANAHID KASSABIAN | | CHRISTIAN SPECK | | MASSIMILIANO SALA | | CHRISTOPHER HOGWOOD | | ROBERTO ILIANO | | The Mechanical Muse: The Piano, Pianism and Piano Music C. 1760-1850 | | Ubiquitous Musics: The Everyday Sounds That We Don't Always Notice | | Boccherini Studies Vol. 3 | | Domenico Scarlatti Adventures | | Geminiani Studies | | Instrumental Music and The Industrial Revolution | | | | | | | | | | | | | ASHGATE PUBLISHING | | ASHGATE PUBLISHING | | UT ORPHEUS | | UT ORPHEUS | | UT ORPHEUS | | UT ORPHEUS | | | | | | | | | | | |
 | |  | |  | |  | |  | |  | | MORABITO FULVIA / NICCOLAI MICHELA | | ADALBERT ROTH | | ELENA CERANINI | | SARAH NOUVEAU | | ALAIN SULZER | | GREIL MARCUS | | Hector Berlioz. Miscellaneous Studies | | Biblioteca Apostolica Vaticana: Ms. Urbinate Latino 1411 | | Giuseppe Martucci L´arte suo fu lo specchio della sua vita.. | | Danser l'ailleurs : recueil de conférences | | Une mesure de trop | | The History of Rock 'n' Roll in Ten Songs | | | Codices e Vaticanis Selecti Series Minor | | Biblioteca Musicale LIM - Saggi | | Univers de la danse | | | | | | UT ORPHEUS | | LIM | | LIM | | L'HARMATTAN | | JACQUELINE CHAMBON | | YALE | | | | | | | | | | | |
 |
 | |  | |  | |  | |  | |  | | KATHARINE ELLIS | | ELLEN ROSAND | | CHRISTOPHER DINGLE | | CHRISTOPHER DINGLE | | ELLEN NOONAN | | VALÈRE NOVARINA | | The Politics of Plainchant in fin-de-siecle France | | Readying Cavalli's Operas for the Stage: Manuscript, Edition, Production | | Messiaen Perspectives 1: Sources and Influences | | Messiaen perspectives vol 2 | | The Strange Career of Porgy and Bess | | L'organe du langage, c'est la main : dialogue avec Marion Chénetier-Alev | | | | | | | | | | | Les singuliers | | ASHGATE PUBLISHING | | ASHGATE PUBLISHING | | ASHGATE PUBLISHING | | ASHGATE PUBLISHING | | UNIVERSITY OF NORTH CAROLINA PRESS | | ARGOL | | | | | | | | | | | |
| |
| |
|