| | |
| |  | |  | |  | |  | |  | |  | | CÉLIA HOUDART | | HEINRICH FABER | | WALTER RIMLER | | SOLOMOS MAKIS DIR. | | NICHOLAS MARSTON | | TIMOTHY A. JOHNSON | | Aperghis : Avis de tempête | | Compendiolvm musicae pro incipientibvs | | George Gershwin : An intimate portrait | | Filigrane, n°1 : Musique et globalisation, une approche critique | | Heinrich Schenker and Beethoven's 'Hammerklavier' Sonata | | John Adams's Nixon in China | | Journal d'une oeuvre | | | | | | | | | | | | INTERVALLES | | VALENTIN KOERNER | | ILLINOIS UP | | DELATOUR | | ASHGATE PUBLISHING | | ASHGATE PUBLISHING | | 26.40 € | | | | | | | | | | |
 | |  | |  | |  | |  | |  | | TONY HARRIS | | VERDI | | LEOPOLD SILKE | | KAREN HENSON | | CLARK WALTER AARON | | CHRISTOPHE GIRAUD | | The Legacy of Cornelius Cardew | | The Verdi-Boito Correspondence | | Händel. Die Opern (BVK 1991) 2ND EDITION | | Opera Acts: Singers and Performance in the late 19th century | | Federico Moreno Torroba: A Musical Life in 3 acts | | Notre-Dame de Paris 1163-2013 | | | | | | | | | | | | | ASHGATE PUBLISHING | | CHICAGO U.P. | | BARENREITER | | CAMBRIDGE UNIVERSITY PRESS | | OXFORD UNIVERSITY PRESS | | BREPOLS | | | | | | | | | | | |
 | |  | |  | |  | |  | |  | | LIVIA PANCINO | | MAURO CALCAGNO | | LEWIS PORTER | | CHRISTIAN MEYER | | HAMMOND SUSAN LEWIS | | JOHN HAINES | | Johan Adolf Hasse - Giammario Ortes. Lettere. Edizione e commento | | Perspectives on Luca Marenzio’s Secular Music | | Jean Servin, Psalms | | Catalogue des manuscrits notés du Moyen-Âge | | The Madrigal: A Research and Information guide | | Music in Films on the Middle Ages: Authenticity vs.Fantasy | | | | | | | COLLECTION DU NORD | | | | | | BREPOLS | | BREPOLS | | BREPOLS | | BREPOLS | | ROUTLEDGE | | ROUTLEDGE | | | | | | | | | | | |
 | |  | |  | |  | |  | |  | | RICCARDO CHAILLY | | | | BALINT ANDRAS VARGA | | MARTIN WAHLBERG | | MICHAEL TALBOT | | BOUQUET-BOYER MARIE-THÉRÈSE | | Das Geheimnis liegt in der Stille - Gespräche über Musik | | Celibidache conducts Prokofiev Symphony no. 5, Strauss Death and Transfiguration | | Three Questions for Sixty-Five Composers | | La scène de musique dans le roman du XVIIIe siècle | | Aspects of the secular cantata in late baroque Italy | | Les noces de Pélée et de Thétis | | | | | | | L'Europe des Lumières, n° 36 | | | | | | BARENREITER | | OPUS ARTE | | UNIVERSITY OF ROCHESTER PRESS | | CLASSIQUES GARNIER | | ASHGATE PUBLISHING | | PETER LANG | | | | | | | | | | | |
 | |  | |  | |  | |  | |  | | JACKSON JEAN-PIERRE | | DU JAZZ (LES), NOUVELLE SÉRIE, N° 9 CAHIERS | | COLLECTIF | | ERIC DESHAYES | | ROSSINI | | HELEN DEEMING | | Benny Goodman | | André Hodeir | | La catastrophe apprivoisée : regards sur le jazz en France | | Kraftwerk | | Le Comte Ory | | Manuscripts and Medieval Song | | Classica | | | | Jazz en France | | | | | | | | ACTES SUD|CLASSICA | | OUTRE MESURE | | OUTRE MESURE | | LE MOT ET LE RESTE | | BARENREITER | | CAMBRIDGE UNIVERSITY PRESS | | | | | | | | | | | |
 | |  | |  | |  | |  | |  | | SABINE PROKHORIS | | EDWARD BERGER | | ANDREW WOOLLEY | | ANNA ZAYARUZNAYA | | ROBERT BELLERET | | LUCA SALA | | Le fil d'Ulysse : retour sur Maguy Marin | | Softly, with feeling | | Interpreting historical keyboard music | | The monstruous New Art | | Piaf : un mythe français : biographie | | European Fin-de-siècle and Polish Modernism. The Music of Mieczys?aw Kar?owicz | | Nouvelles scènes | | | | | | | | Documents | | | | PRESSES DU REEL | | TEMPLE UNIV. PRESS | | ASHGATE PUBLISHING | | CAMBRIDGE UNIVERSITY PRESS | | FAYARD | | UT ORPHEUS | | | | | | | | | | | |
 | |  | |  | |  | |  | |  | | FRITZ JEAN-MARIE | | FOHR | | LEE GENGARO CHRISTINE | | DEBORAH MAWER | | BERND ALOIS ZIMMERMANN | | IAIN FENLON | | Paysages sonores du Moyen-Âge : le versant épistémologique | | Du décor à la scénographie | | Listening to Stanley Kubrick: The Music in His Films | | French Music and Jazz in Conversation: From Debussy to Brubeck | | Über Musik und Musiker | | Heinrich Glarean's Books | | Sciences techniques et civilisations du Moyen-Âge à l'aube des lumières, n° 5 | | | | | | Music since 1900 | | | | | | CHAMPION | | L'ENTRETEMPS | | ROWMAN & LITTLEFIELD | | CAMBRIDGE UNIVERSITY PRESS | | BARENREITER | | CAMBRIDGE UNIVERSITY PRESS | | | | | | | | | | | |
 |
 | |  | |  | |  | |  | |  | | VINCENZO CAZZATO | | MICHAEL TALBOT | | BÉATRICE FERRIER | | MARK BERRY | | MONSON CRAIG A. (ED.) | | WILLIAM GIBBONS | | La festa delle arti | | Vivaldi's music for flute and recorder | | La bible à l'épreuve de la scène | | After Wagner: Histories of Modernist Music Drama from Parsifal to Nono | | Music in Print and Beyond: Hildegard von Bingen to The Beatles | | Building the Operatic Museum: Eighteenth-Century Opera in Fin-de-Siecle Paris | | | | | Les dix-huitièmes siècles, n° 169 | | | | Eastman Studies in Music | | Eastman Studies in Music | | GANGEMI | | ASHGATE PUBLISHING | | CHAMPION | | BOYDELL PRESS | | UNIVERSITY OF ROCHESTER PRESS | | UNIVERSITY OF ROCHESTER PRESS | | | | | | | | | | | |
| |
| |
