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Modal counterpoint, Renaissance style - Peter SCHUBERT - Livre

Modal counterpoint, Renaissance style
Peter SCHUBERT


Livre en anglais

Livre - Spirale

Oxford University Press


Codes EAN, ISBN et ISMN 9780195331943

354 pages

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An exceptional text for undergraduate and graduate music students, Modal Counterpoint, Renaissance Style uses a wide variety of carefully graded exercises to present guidelines for writing and analyzing 16th-century music. The only species counterpoint text that draws directly on Renaissance treatises, it provides a conceptual framework to guide students through composition and analysis as it teaches them general structural principles. With stylistically diverse examples including not only motets and mass movements but also French chansons, German chorale settings, English canzonets, Italian madrigals, and Spanish organ hymns, villancicos, and ricercars, the book gives students a "real-life" feel for the subject. It distinguishes between technical requirements ("hard" rules) and stylistic guidelines ("soft" rules), and includes coordinated exercises that allow students to develop their skills systematically. The concluding chapters provide the formal and conceptual building blocks for longer pieces and encourage students to understand analysis and composition as complementary activities. By the end of the book, students are writing real compositions, not just drill exercises. The text also features progressively graded exercises, historical asides that explain important topics and issues of the period, and some notes in the preface on using the book in the classroom. Combining the historical accuracy of "style-oriented" texts with the more systematic species counterpoint approach, this book offers a unique alternative to other methods.

Now in its second edition, Modal Counterpoint, Renaissance Style integrates improvisation activities and new repertoire examples into many chapters; revises the chapter on three-part writing (Chapter 14) so that it pays more attention to rules and strategies; reworks the chapters on cadences (Chapter 10) and on writing two parts in mixed values (Chapter 11) to make them more accessible to students; incorporates clarified instructions throughout; and includes a summary of rules.



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DANS LE MÊME RAYON ET SOUVENT ACHETÉ AVEC MODAL COUNTERPOINT, RENAISSANCE STYLE  :
Aide-mémoire du contrepoint du XVIème siècle - Olivier TRACHIERGradus ad Parnassum FUX Johann Joseph Livre ContrepointTraité de contrepoint NOEL-GALLON / BITSCH Marcel Livre Contrepoint
OLIVIER TRACHIERFUX JOHANN JOSEPHNOEL-GALLON / BITSCH MARCEL
Aide-mémoire du contrepoint du XVIème siècleGradus ad ParnassumTraité de contrepoint
Formation music
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NOS SUGGESTIONS...

Traité de contrepoint NOEL-GALLON / BITSCH Marcel Livre ContrepointNOEL-GALLON / BITSCH MARCEL
Traité de contrepoint

Formation music
Gradus ad Parnassum FUX Johann Joseph Livre ContrepointFUX JOHANN JOSEPH
Gradus ad Parnassum


Aide-mémoire du contrepoint du XVIème siècle - Olivier TRACHIEROLIVIER TRACHIER
Aide-mémoire du contrepoint du XVIème siècle


Gradus Ad Parnassum - Traité de Contrepoint - Johann Joseph FuxJOHANN JOSEPH FUX
Gradus Ad Parnassum - Traité de Contrepoint

Formation Musicale
L'écriture musicale : les bases fondamentales II - Olivier MIQUELOLIVIER MIQUEL
L'écriture musicale : les bases fondamentales II


Petit traité de contrepoint rigoureux Olivier MIQUEL Livre ContrepointOLIVIER MIQUEL
Petit traité de contrepoint rigoureux


L'écriture musicale : styles et techniques I - Olivier MIQUEL - LivreOLIVIER MIQUEL
L'écriture musicale : styles et techniques I


Traité pratique de contrepoint tonal René CHAMPIGNY Livre ContrepointRENÉ CHAMPIGNY
Traité pratique de contrepoint tonal


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