Sometime between October and December 1912, Pablo Picasso (1881–1973) made a guitar. Cobbled together from cardboard, paper, string, and wire, materials that he cut, folded, threaded, and glued, Picasso’s silent instrument resembled no sculpture ever seen before. In 1914 the artist reiterated his fragile papery construction in a more fixed and durable sheet metal form. These two Guitars, both gifts from the artist to MoMA, bracket an incandescent period of material and structural experimentation in Picasso’s work. Picasso: Guitars 1912–1914 explores this breakthrough moment in 20th-century art, and the Guitars’ place within it. Bringing together some 70 closely connected collages, constructions, drawings, mixed-media paintings, and photographs assembled from over 30 public and private collections worldwide, this exhibition offers fresh insight into Picasso’s cross-disciplinary process in the years immediately preceding World War I.
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NOS SUGGESTIONS...
XAVIER GAGNEPAIN Du musicien en général... au violoncelliste en particulierTransmission
PAUL ROLLAND L'enseignement du mouvement dans le jeu des cordes
DOMINIQUE HOPPENOT le violon intérieurLivre
GALPÉRINE ALEXIS / REVERDITO-HAAS ANA Un cursus de 10 ans à la classe de violon
LYSE VÉZINA Le violoncelle : ses origines, son histoire, ses interprètes
MOLKHOU JEAN-MICHEL Les grands violonistes du XXe siècle, Tome 1: 1875-1947Musique
YEHUDI MENUHIN L'art de jouer du violon Musique
SULEM REINE-BRIGITTE Physiologie et art du violonMédecine des arts