This Companion provides an up-to-date view of the music of Franz Liszt, its contemporary context and performance practice, written by some of the leading specialists in the field of nineteenth-century music studies. Although a core of Liszt's piano music has always maintained a firm hold on the repertoire, his output was so vast, influential and multi-faceted that scholarship too has taken some time to assimilate his achievement. This book offers students and music lovers some of the latest views in an accessible form. Katharine Ellis, Alexander Rehding and James Deaville present the biographical and intellectual aspects of Liszt's legacy, Kenneth Hamilton, James Baker and Anna Celenza give a detailed account of Liszt's piano music - including approaches to performance - Monika Hennemann discusses Liszt's Lieder, and Reeves Shulstad and Dolores Pesce survey his orchestral and choral music.
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DANS LE MÊME RAYON ET SOUVENT ACHETÉ AVEC THE CAMBRIDGE COMPANION TO LISZT :
CLAIRE DELAMARCHE
Béla Bartok
Musique
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ALAIN GALLIARI Lili
CHRISTOPHE LOOTEN Brahms par ses lettres
SCHOENBERG Fondements de la composition musicalePédago
EIGELDINGER JEAN-JACQUES Chopin vu par ses élèvesLes grandes études historiques
SCHOENBERG Traité d'harmoniePédago
MESSIAEN OLIVIER / LORIOT-MESSIAEN YVONNE Analyse des oeuvres pour piano de Maurice Ravel