Proceedings of the Clarinet and Woodwind Colloquium 2007 Arnold MYERS
Celebrating the Collection of Sir Nicholas Shackleton. Papers presented at the meeting organised by the Edinburgh University Collection of Historic Musical Instruments. Edinburgh, 22-24 June 2007.
Livre en anglais.
Livre - Relié sous jaquette
Tony Bingham
Référence: 9780907635598
1 vol., 272 p. - 2007
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These 27 papers present original research from the world's leading experts in clarinet and woodwind studies. This compilation celebrates the contributions to clarinet and woodwind scholarship of the late Sir Nicholas Shackleton.
The papers have been edited by Arnold Myers, Chairman of the Edinburgh University Collection of Historic Musical Instruments, assisted by Eleanor Smith (University of Edinburgh) and Heike Fricke. The bound volume of 272 full-colour pages contains the following papers presented at the Colloquium:
CONTENTS
Page 3 Foreword
Arnold Myers, University of Edinburgh
Page 7 Nicholas Shackleton: Collector extraordinaire
William Waterhouse, London and Cheltenham
Page 15 The Sir Nicholas Shackleton Collection in the Edinburgh University Collection of Historic Musical Instruments: an Overview
Heike Fricke, Berlin
Page 25 Musical History: Historical Music
Colin Lawson, Royal College of Music, London
Page 31 The Viennese Wind Instrument Maker, Theodor Lotz (c 1747-1792)
Melanie Piddocke, The Hague, Netherlands and Saintes, France
Page 41 Heinrich Grenser's Keywork Concepts
Eleanor Smith, University of Edinburgh
Page 48 The Origin of French and German Clarinets
Eric Hoeprich, Royal Conservatory of the Netherlands; Conservatoire de Paris; Indiana University, Bloomington
Page 59 The Basset Horn in France in the Eighteenth Century
Jean Jeltsch, Université de Lille, France
Page 73 Clarinets of the Clinton Family
James Joseph, Northumberland
Page 79 Iwan Müller's Soprano Clarinet: Structural Evolution towards Adolphe Sax's Bass Clarinet
Juncal Diago Ortega, Conseervatory of Music of A Coruña, Spain
José-Modesto Diago Ortega, Conservatory of Music of Cadix, Spain
Page 84 The Bass Clarinets of Adolphe Sax and their Historical Importance
Albert R. Rice, Fiske Museum, Claremont Colleges, California
Page 101 Extant Soprano Clarinets by Adolphe Sax
Thomas Reil, Uhingen, Germany
Page 115 The Early American Clarinet: Makers, Sellers, Players
Jane Ellsworth, Eastern Washington University, USA
Page 121 Boosey and Company: Trade in Clarinets in the Late Nineteenth Century
Kelly White, Albuquerque, New Mexico
Page 131 Resources for Clarinet Research in the Boosey & Hawkes Collection and Archive
E. Bradley Strauchen-Scherer, Horniman Musuem, London
Page 141 In Contemplation of the Clarinets at the Royal College of Music, London
Ingrid Elizabeth Pearson, Royal College of Music, London
Page 151 The Gaida Bagpipe in the Evros region of Greek Thrace: an Overview of an Organological Ethnography
Haris Sarris, Greece
Page 159 A Prescription for the Clarinet's Sore Throat: Throat B-flat Mechanisms as Illustrated Using Clarinets from the Sir Nicholas Shackleton Collection
Deborah Check Reeves, National Music Museum, University of South Dakota, Vermillion, USA
Page 173 The Reform Boehm system: Right Compromise Between French and German Systems ?
Luigi Magistrelli, Italy
Page 181 Stubbins S-K Mechanism Clarinet
Nophachai Cholthitchanta, Fulbright College of Arts & Sciences, University of Arkansas, USA
Page 191 Clarinet Forked E-flat/B-flat - a New Approach
John Playfair, U.K.
Page 195 The 'Stradivari Interview' - The Correlation between the Geometry of a Clarinet Mouthpiece and its Performance
William Peatman, Berlin
Page 215 The Home Key of the Clarinet
John Dick, Rothesay, Isle of Bute, U.K.
Page 225 Clarinets and Tárogatók used in the Viennese Court Opera under the Director Gustav Mahler
Beatrix Darmstädter, Sammlung alter Musikinstrumente, Kunsthistorisches Museum, Vienna
Page 237 The 'Melba Gift': The Role of Woodwind and Brass Instruments in the History of the Stabilisation of Pitch Standards in Melbourne in the early Twentieth Century
Simon Purtell, Norman Macgeorge Scholar, University of Melbourne, Australia
Page 243 Brazilian Clarinet Music by the Composer Francisco Mignone and his 'Concertino for Clarinet and Orchestra'
Fernando José Silveira, Rio de Janeiro State Federal University, Brazil
Page 248 The Derivation of Contemporary Performing Techniques
Ian Mitchell, Trinity College of Music, London
Page 255 The New Clarinet in Japan
E. Michael Richards, University of Maryland, Baltimore County, USA
