David Rowland traces the history of piano pedaling from its beginnings in the eighteenth century to its first maturity in the middle of the nineteenth century and beyond. Pedaling technique was a major feature of nineteenth-century piano performance and, coupled with new developments in piano structure, inspired many composers to write innovative works for the literature. Rowland examines this through the technique and music of composer-pianists such as Beethoven, Liszt, and Chopin and follows the transition from harpsichord and clavichord to piano. The book also includes an appendix of translated extracts from three well-known piano-pedaling tutors.
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DANS LE MÊME RAYON ET SOUVENT ACHETÉ AVEC A HISTORY OF PIANOFORTE PEDALLING :
BORIS BERMAN
Notes from the pianist's bench
NOS SUGGESTIONS...
JOHANN PUPPETTO Progresser plus vite au piano
ALEXANDRE SOREL L'art de jouer du piano
CONIL / PASCAL / RIGNOL 10 Ans Avec le Piano des XVIIIe et XIXe SièclesLivre
CONIL ROLAND / PASCAL DENIS / RIGNOL FRANÇOIS-MICHEL 10 ans avec le piano des XVIIIe et XIXe siècles10 ans avec
BOUTHINON-DUMAS BRIGITTE Mémoire d’empreintes, vol. 2 : à l’écoute des deux mains
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