| | |
| |  | |  | |  | |  | |  | |  | | BÉATRICE FERRIER | | MARK BERRY | | MONSON CRAIG A. (ED.) | | WILLIAM GIBBONS | | ANDREW DERUCHIE | | OWEN MARTELL | | La bible à l'épreuve de la scène | | After Wagner: Histories of Modernist Music Drama from Parsifal to Nono | | Music in Print and Beyond: Hildegard von Bingen to The Beatles | | Building the Operatic Museum: Eighteenth-Century Opera in Fin-de-Siecle Paris | | The French Symphony at the Fin de Siècle: Style, Culture, and the Symphonic Trad | | Massilia sound system | | Les dix-huitièmes siècles, n° 169 | | | | Eastman Studies in Music | | Eastman Studies in Music | | Eastman Studies in Music | | | | CHAMPION | | BOYDELL PRESS | | UNIVERSITY OF ROCHESTER PRESS | | UNIVERSITY OF ROCHESTER PRESS | | UNIVERSITY OF ROCHESTER PRESS | | LE MOT ET LE RESTE | | | | | | | | | | | |
 |
 | |  | |  | |  | |  | |  | | CABOT JEAN-SYLVAIN | | DEREK CAREW | | ANAHID KASSABIAN | | CHRISTIAN SPECK | | MASSIMILIANO SALA | | CHRISTOPHER HOGWOOD | | Fleetwood Mac | | The Mechanical Muse: The Piano, Pianism and Piano Music C. 1760-1850 | | Ubiquitous Musics: The Everyday Sounds That We Don't Always Notice | | Boccherini Studies Vol. 3 | | Domenico Scarlatti Adventures | | Geminiani Studies | | | | | | | | | | | | | LE MOT ET LE RESTE | | ASHGATE PUBLISHING | | ASHGATE PUBLISHING | | UT ORPHEUS | | UT ORPHEUS | | UT ORPHEUS | | | | | | | | | | | |
 | |  | |  | |  | |  | |  | | ROBERTO ILIANO | | MORABITO FULVIA / NICCOLAI MICHELA | | ADALBERT ROTH | | ELENA CERANINI | | SARAH NOUVEAU | | ALAIN SULZER | | Instrumental Music and The Industrial Revolution | | Hector Berlioz. Miscellaneous Studies | | Biblioteca Apostolica Vaticana: Ms. Urbinate Latino 1411 | | Giuseppe Martucci L´arte suo fu lo specchio della sua vita.. | | Danser l'ailleurs : recueil de conférences | | Une mesure de trop | | | | | Codices e Vaticanis Selecti Series Minor | | Biblioteca Musicale LIM - Saggi | | Univers de la danse | | | | UT ORPHEUS | | UT ORPHEUS | | LIM | | LIM | | L'HARMATTAN | | JACQUELINE CHAMBON | | | | | | | | | | | |
 | |  | |  | |  | |  | |  | | GREIL MARCUS | | KATHARINE ELLIS | | ELLEN ROSAND | | CHRISTOPHER DINGLE | | CHRISTOPHER DINGLE | | ELLEN NOONAN | | The History of Rock 'n' Roll in Ten Songs | | The Politics of Plainchant in fin-de-siecle France | | Readying Cavalli's Operas for the Stage: Manuscript, Edition, Production | | Messiaen Perspectives 1: Sources and Influences | | Messiaen perspectives vol 2 | | The Strange Career of Porgy and Bess | | | | | | | | | | | | | YALE | | ASHGATE PUBLISHING | | ASHGATE PUBLISHING | | ASHGATE PUBLISHING | | ASHGATE PUBLISHING | | UNIVERSITY OF NORTH CAROLINA PRESS | | | | | | | | | | | |
 |
 | |  | |  | |  | |  | |  | | VALÈRE NOVARINA | | D'ENTRETIEN CARNET | | MICHAEL MARISSEN | | AURÉLIEN TCHIEMESSOM | | WALTER WERBECK | | SPOHR | | L'organe du langage, c'est la main : dialogue avec Marion Chénetier-Alev | | CARNET D'ENTRETIEN DES INSTRUMENTS À ANCHE SIMPLE | | Tainted Glory in Handel's Messiah: The Unsettling History of the World's Most Be | | Sun Ra : un Noir dans le cosmos | | Richard Strauss Handbuch (Livre en allemand) | | Louis Spohr's Autobiography: Translated from the German | | Les singuliers | | | | | | Univers musical | | | | Cambridge Library Collection - Music Series | | ARGOL | | DEVENIR MUSIQUE | | YALE | | L'HARMATTAN | | BARENREITER | | CAMBRIDGE UNIVERSITY PRESS | | | | | | | | | | | |
 |
 | |  | |  | |  | |  | |  | | SHAY LOYA | | THOMAS LECONTE | | EMMA DILLON | | DAVID ROSS HURLEY | | JUDITH ZEITLIN | | STAN HAWKINS | | Liszt's Transcultural Modernism and the Hungarian-Gypsy Tradition | | Les Fées des forêts de Saint-Germain, 1625 | | The Sense of Sound : Musical Meaning in France, 1260-1330 | | Handel's Muse | | Performing Images: Opera in Chinese Visual Culture | | Critical Musicological Reflections (Livre en anglais) | | Eastman Studies in Music | | Épitome musical | | New Cultural History of Music Series | | Oxford Monographs on Music Series | | | | | | UNIVERSITY OF ROCHESTER PRESS | | BREPOLS | | OXFORD UNIVERSITY PRESS | | OXFORD UNIVERSITY PRESS | | UNIVERSITY OF CHICAGO PRESS | | ASHGATE PUBLISHING | | | | | | | | | | | |
 |
 | |  | |  | |  | |  | |  | | RYAN MCCLELLAND | | NORTON DUDEQUE | | COOKE PHILIPP A. / MAW DAVID | | BEN EARLE | | LARRY TODD | | MANDA TCHEBWA ANTOINE | | Brahms and the Scherzo: Studies in Musical Narrative (Livre en anglais) | | Music Theory and Analysis in the Writings of Arnold Schoenberg (1874-1951) | | The Music of Herbert Howells | | Luigi Dallapiccola and Musical Modernism in Fascist Italy | | Nineteenth-century piano music | | Musiques et danses de Cuba | | | | | | | Music Since 1900 | | Studies in musical genres and repertories | | Racines du présent | | ASHGATE PUBLISHING | | ASHGATE PUBLISHING | | BOYDELL PRESS | | CAMBRIDGE UNIVERSITY PRESS | | SCHIRMER BOOKS | | L'HARMATTAN | | | | | | | | | | | |
 | |  | |  | |  | |  | |  | | JEAN LARRIAGA | | SENABRE ÉRIC / MERLIN CHRISTOPHE | | PAUL COMBS | | PIETER DIRKSEN | | LUIGI LANARO | | PIERRE PHILIPPE | | FIP et moi : chroniques d'un écouteur | | Rockin' Johnny | | Dameronia : The life and music of Tadd Dameron | | Heinrich Scheidemann's keyboard music | | La liuteria classica e il liutaio moderno | | L'air et la chanson | | | Contes et opéras | | Jazz Perspectives Series | | | | | | | | L'HARMATTAN | | DIDIER JEUNESSE | | UNIVERSITY OF MICHIGAN PRESS | | ASHGATE PUBLISHING | | ZANIBON | | GRASSET | | | | | | | | | | | |
| |
| |
|